Wang Xijing, born in August 1946 in Xi ‘an, Shaanxi Province, is currently Vice President of Chinese Painting Society, Vice chairman of Shaanxi Provincial Federation of Arts, honorary chairman of Shaanxi Artists Association, Chairman of Shaanxi Provincial Chinese Painting Society, honorary Dean and professor of Art School of Xi ‘an University of Architecture and Technology, and professor of Chinese Art Research Institute, Xi ‘an Jiaotong University, Northwest University, Yunnan University and Xi ‘an Academy of Fine Arts.
And Member of the 12th CPPCC National Committee, deputy of the 9th and 10th National People’s Congress, first-class artist, awarded by The State Council as “National Expert with Outstanding Contributions”, He won the honorable titles of “Pioneer of China Times”, “Top Ten Most Influential New Figures in the Fourth China Reform”, “Red Flag Figure of Shaanxi Province”, “Fine arts Leader of Shaanxi Province”, “Excellent Communist Party Expert of Shaanxi Province”, “Model Worker” and so on.
Generalist painter Wang Xijing
— Also talks about his opera figure painting
Chen Chuanxi
Generalist is rare, since ancient times. Generalist means being omnipotent in a certain field.
After reading many of Wang Xijing’s paintings, and recently seeing the opera characters he created, I came to the conclusion that Wang Xijing is a generalist in the painting field. He can draw meticulous painting, freehand painting; simple and heavy paintings, light and elegant paintings, large ink, realistic painting. He can draw large, rich, and precise subject paintings of ancient figures. He sometimes painted quickly, without thinking. Suddenly the mind, slightly no stagnation. Draw figure painting, do not sketch, do not draft, take the pen to draw, quite need some talent.
Of course, generalists need more talent, many people lifelong draw a painting, a style, are not good, and he many styles are good? But a truly talented person should be able to study good painting methods. Su Dongpo said, “Things are all things. Through its meaning is not suitable and not good.”
The same is true of the great painters. Qi Baishi, Huang Binhong, Xu Beihong, Zhang Daqian, and so on, can do anything.
Wang Xijing’s paintings, especially the important works reflecting the important themes of history, real life figure paintings, ancient costume figure paintings, we have seen more, and now we see his opera figure paintings, fresh and fresh.
Wang Xijing grew up in Xi’an, Shaanxi Province. He grew up listening to Qinqiang Opera, which is known as the ancestor of Peking Opera, Henan Opera and Jin Opera. Wang Xijing also likes to watch and listen to operas. He was deeply impressed by the beauty of the posture, the facial makeup and the beauty of the costumes on the stage. He always wanted to show it with the brush in his hand.
Opera is an art, painting is also an art, with art to express art, the effect will be better. In the Qing Dynasty, Hu Xigui once painted opera figures. He painted opera figures, but he exerted great influence on Guan Liang, Lin Fengmian, Han Yu, Gao Ma De and so on. Wang Xijing has seen all the opera characters painted by them, and he has studied them carefully. Wang Xijing learned from his predecessors, but after leaving his predecessors, he had a solid realistic foundation, so he used freehand brushwork to draw realistic stage figures, painting a completely different artistic style from his predecessors. It can be said that ” the collection of all the good, only for a family.”
Wang Xijing’s opera characters reproduce the reality of the stage. The young image in his painting “Burning Pei Yuanqing” is powerful and handsome, which is basically in line with Pei Yuanqing on the stage, but he expresses it with traditional pen and ink. His style is accurate and vivid. No one else can. His painting of Bao Zheng in the case of “Chuelbeauty” is upright, firm and dignified, the pressure of the overlord in “Farewell My Concubine”, but helpless manner; and the action of Dou Erdun in “Steal Horse”, the rich color, all reached the extreme.”The Drunken
Concubine” in the imperial concubine drunk state and so on. Some of the women are angry, some joy, some dignified, some calm and dignified, although some are beautiful, but you can see the expression of millions of male teachers, are very outstanding. Painting men, some majestic, some power can not surrender, some grief and very firm. Some are vigorous and indulgent, some are fierce and steady. He has recreated himself with his own artistic accomplishment and formed his own personal characteristics.
There are three characteristics of successful art: national characteristics, characteristics of The Times and personal characteristics. Wang Xijing’s opera characters highlight the national characteristics of the Oriental charm, but also have a strong characteristics of The Times and personal characteristics. He has broadened the expression space of his artistic creation, and will certainly have a greater influence on the creation of Chinese opera characters. We’ll wait and see.
“Wenxin” has a cloud: “the quality of the beauty is expensive, the good to show the ability.” Wang Xijing has reached. I hope Wang Xijing will continue to work hard in order to reach a higher level of his art.
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